Dani Alves’ Acquittal: A Test of Justice, Trust, and the Balance Between Belief and Proof

The acquittal of Dani Alves will be hailed by many as a vindication of the principle that no one should be convicted without reliable evidence. The appeals court in Catalonia overturned his rape conviction on the grounds that the accuser’s testimony contained “gaps, inaccuracies, inconsistencies and contradictions,” and that the evidence presented did not sufficiently surmount the presumption of innocence. In a legal culture that has increasingly stressed survivor rights and the need for robust corroboration in sexual-assault cases, this reversal highlights the tension between protecting victims and upholding due process. The ruling says less about the truth of what happened that night than about whether the case met the exacting burden required for criminal conviction, a burden the court concluded it did not.

Yet an acquittal does not erase the damage: Alves’ reputation, career prospects, and public legacy have been severely tarnished, and the emotional and psychological toll on the alleged victim remains real, regardless of the legal outcome. For many, this case is less about absolutes and more about trust; trust in courts, trust in testimonies, and trust in social institutions to balance rights and protections. Feminist groups and victim-rights advocates have already warned that high-profile reversals like this could chill future complaints and reinforce systemic barriers for survivors of sexual violence.  Meanwhile, Alves will likely seek to reclaim parts of his public life, possibly via lawsuits for defamation or compensation, but he faces an uphill battle in convincing a skeptical public that his acquittal equals exoneration.

Moving forward, the case should prompt several reforms, not only in Spain but in jurisdictions everywhere, about how sexual-assault allegations are investigated, adjudicated, and narrated in public. Courts must improve mechanisms to assess testimony, reconcile conflicting narratives, and integrate forensic and circumstantial evidence in a more transparent manner. Victims’ credibility must be neither assumed nor dismissed lightly; at the same time, accused persons must not be convicted on the basis of uncertain or tainted testimony. To discourage moral ambiguity, institutions; sporting bodies, clubs, media; must adopt standards for provisional measures (e.g. suspensions, investigations) that respect both accountability and fairness.

Ultimately, the Alves decision should spark deeper reflection on how societies treat sexual misconduct allegations in the court of law and in the court of public opinion. Public discourse must evolve to allow space for both empathy and rigor, or believing survivors while insisting on fair trials. If that balance is struck, the acquittal of Alves will be remembered not just as a legal twist, but as a moment when justice systems were challenged to perform at their best.

Culture Ruptures in Yoruba Gender Dynamics | By: Tolulope Victoria Adebileje

Before the white man’s ship touched our shores, the Yoruba world moved in rhythm with balance. Life was ordered not by gendered power but by communal responsibility. Men and women stood side by side in the fields, in the market, and at the council. Roles differed, but value was equal. Leadership flowed through wisdom and age, not through sex. Polygyny, then, was not a sign of male dominance but a social arrangement that offered women mutual support, economic stability, and shared motherhood in a society where no one was left behind.

That harmony did not survive the colonial encounter. With colonial rule came capitalism, Christianity, and a rigid moral code that recast African social systems in Europe’s image. The British could not comprehend a world where women traded, advised kings, or owned property. To make sense of Yoruba life, they rewrote it. They introduced gendered education, made the man the “head of the home,” and confined womanhood to the domestic space. Colonial capitalism turned what was once a system of interdependence into a hierarchy of control, one that rewarded men for dominance and taught women that their purpose was service. In the process, our culture was not only interrupted; it was rewritten.

Lola Shoneyin’s The Secret Lives of Baba Segi’s Wives bears witness to this rupture. Her novel opens inside the chaotic household of Baba Segi, a man who prides himself on his wealth, appetite, and four wives, the ultimate markers of patriarchal success. Yet beneath his confidence lies a broken echo of what polygyny used to be. Where precolonial polygyny was structured around care and complementarity, Baba Segi’s home is built on competition, secrecy, and survival. His wives are not companions in a communal system but rivals trapped in a house that feeds on their subjugation.

Young Iya Segi had worked tirelessly to amass a considerable fortune, only for her efforts to be exploited. Her mother, upon discovering that her daughter had secretly amassed a large sum of money, a troubling sign of her isolation and impending loneliness, responded by arranging a marriage for her, handing over every penny of that hard-earned savings to the man who would become Baba Segi. This decision, reflects a societal norm where marriage is often seen as a safeguard for young women, regardless of their agency or financial independence. Iya Tope, the second wife, enters the Alao household as a peace offering and payment from her father to Baba Segi. After a bad harvest and a big debt, an arrangement is made for Baba Segi to marry Iya Tope. Iya Femi, the third wife, enters into marriage with Baba Segi as a desperate escape from years of mistreatment as a housemaid after being rubbed of her inheritance by her greedy uncle. For her, the marriage is not about love or partnership but a means of liberation from a life of servitude.

Bolanle, the youngest and most educated of Baba Segi’s wives, chose to marry him not out of love or necessity, but out of a deep-seated belief that she no longer deserved a partner who mirrored her background or aspirations. Having endured the trauma of a violent rape and a secret abortion in her youth, she carried a profound sense of shame and brokenness. Baba Segi’s proposal came with no probing questions, no demands for her past, only the promise of a quiet life where her sole duty would be to bear children. To Bolanle, this seemed like refuge, a place to disappear into silence. In that home, she believed, she could hide, bury her past, and fulfill the only role required of her, childbearing. The marriage, then, became not a union, but an escape. A muted surrender to a life where silence was safer than self-expression.

Through these characters, Shoneyin captures the full cost of cultural distortion. The wives are not inherently submissive, they are products of social conditioning. They have learned to play the roles that secure acceptance in a system that never truly valued them. The result is a house governed by suspicion rather than solidarity, envy rather than empathy. Even as they resist Baba Segi’s authority, they reinforce it by turning on one another. Iya Segi, proud of her position, mocks Bolanle’s education, warning her that schooling “teaches a woman to look at men as equals.” It is one of the novel’s most devastating lines, a reminder that patriarchy no longer needs men to enforce its rules when women have been trained to guard them.

Baba Segi himself is a relic of a colonial masculinity that confuses control for honour. He cannot read or write, yet he considers himself the ultimate patriarch. His ignorance mirrors a society that has mistaken dominance for strength. Eventually, due to the wives’ deceit, concealing the paternity of their children, the balance of the home begins to crumble, exposing how fragile the patriarchal order truly is.

Bolanle’s decision to leave Baba Segi is not simply an act of rebellion; it is an act of restoration, a return to selfhood, to the forgotten truth that womanhood need not be tethered to a man’s validation. Her departure represents the feminist reconditioning our society desperately needs: a conscious unlearning of the internalised hierarchies that masquerade as culture.

The Secret Lives of Baba Segi’s Wives reminds us that patriarchy in Nigeria is not native; it is inherited. It grew from the collision of colonial capitalism and cultural dislocation. And if it was learned, it can be unlearned. The task before us is to remember what our foremothers knew; that power shared is power multiplied, that womanhood is not a role to be performed but a life to be lived.

To repair the rupture, we must teach differently, speak differently, and raise our daughters, and sons, to value equality and mutual respect. For the Yoruba once knew balance. We can know it again.

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Tolulope Victoria Adebileje is a researcher and educator whose work explores colonial social conditioning, internalised patriarchy, and feminist reconditioning in Nigerian womanhood.

Opinion: A Lesson in Humility | By: Tony Ogunlowo

Recently, a young Nigerian man did something thousands of people wouldn’t do in a million years.

He gave up everything he had, and was, to become a Catholic priest.

What makes Rev Father Chris Orajiaka’s story very fascinating is what he gave up to enter the seminary and priesthood: highly educated, he has two degrees, a multi-million Naira business with all the trimmings expected of a successful young man.

Some people might think he’s mad or his village people have been working overtime but before we start judging his decision to answer a calling perhaps we should muse on the saying “What does it profit a man…”.

We spend every waking moment of our lives chasing a fast buck so that we can afford the finer things life has to offer, but at what cost? Enough is never enough: so a man with 5 cars in his garage still wants another one, a woman’s wardrobe is outdated before the end of the season and she needs new ones, before we can fully work iPhone15 we’re rushing out to buy iPhone16 and somebody with a billion dollars in the bank wants billions more. As a result, we end up trapped in this cycle of forever wanting more and more and this becomes our lives with a majority of our material acquisitions acquired mainly for show or public validation. Don’t get me wrong we do ‘need’….there are bills to be paid and stuff like that. The basic requirements of life still need to be met.

The strange thing is that the minute we draw our last breath everything we spent a lifetime accumulating ceases to be ours: everything, the cars, houses and money now becomes the property of who ever its willed to…or in Naija, where wills are non-existent or ignored, whoever grabs the most. All that sweat, hard work, hard earned money and it now belongs to somebody who didn’t work for it.

So, when somebody walks away from it all to live a life of religious poverty, Chasity and sometimes silence, it raises eyebrows. The turning point is when you’ve got it all and graduated from the ‘wanting-more’ phase and realise there is a void in your life: something is missing, a void all your material possessions can’t fill. At this point you start to question the reason for your existence (- something us old folk do when we reflect back on our lives and wonder what it was all about). And all these questions inevitably lead back to why God, the Supreme Being, really put us on Earth. Shakespeare’s words of “….all the world’s a stage, and all the men and women merely players..”.  comes to mind.

But why?

Why is ‘why’ some people will leave everything earthly behind to worship a God, a supreme being, they’ve never seen but believe exists to try and understand what his will really is and how best to achieve it. The quest for knowledge – and wisdom – to connect with God is the only thing that can fill in the void and explain our existence and the result is a more fulfilling life.

It’s not all about swanning around in a Rolls Royce and private jets and dancing to whatever tune society demands you dance to. (SM is full of people trying to live up to the whims of their ‘public’). It’s one of the reasons a lot of A-listers and top people are not happy: they may seem happy because they seem to have it all but inwardly they’re not. Money can’t buy everything. There will always be something missing from their lives they can’t buy like inner peace and contentment being top of the list.

Now not all of us can drop everything and enter the clergy because we’ve got an inward desire to know more about God and our existence, because we’ve got families, friends and acquaintances who depend on our very existence. Again, being an ordinary person, outside of the priesthood, walking around with nothing – and celibate – will garner some strange looks – and remarks! So, living like a monk or priest, outside of the profession, is out of the question.

So how do we make the God-like connection?

Simple. Cut down on the material acquisition obsession (- aka ‘Superceding the Jones’s!) and become more minimalist which in turn cuts down on the stress and ultimately frees the mind to explore its Higher Consciousness which in turn fills in the void, the emptiness, you experience when you’re alone behind closed doors.

And to answer the original question as to why a young man would give it all up to become a celibate Rev Father: I think he did it because he’s seeking a more meaningful life that money can’t buy. Something beyond the fast rat race.

Think of how enriched your life can be if you can escape, or control, the clutches of the Spirit of Materialism.

 

Follow Tony on Twitter: @Archangel641 or visit http://www.archangel641.blogspot.co.uk

When Women Guard the Gates of Patriarchy | By: Tolulope Victoria Adebileje

Across generations, women have been taught that a “good woman” knows her place, that patience is a woman’s crown, and that endurance is the true mark of virtue. These lessons, passed down lovingly from mothers to daughters, were never meant to wound. They were meant to prepare, to protect women in a world that has always demanded their quiet submission. Yet these same lessons have become invisible chains, binding women to systems that depend on their compliance to survive.

Patriarchy, contrary to popular belief, is not sustained by men alone. It is reinforced every day through the actions, choices, and teachings of women, mothers, wives, teachers, and community leaders, who have been conditioned to see subservience as righteousness and domination as order. This conditioning is not innate; it is learned, rehearsed, and deeply internalised through what I call colonial social conditioning.

Before colonial contact, Yoruba gender relations were guided by complementarity rather than hierarchy. Social roles were distributed by seniority and capability, not by biological sex. But colonial governance, Christian missionary education, and Victorian morality introduced a rigid gender binary that privileged men and confined women to domestic spaces. Over time, these imported hierarchies became naturalised through everyday life, embedded in school lessons, church sermons, and family advice. In trying to adapt, women themselves became the primary carriers of these colonial ideals, ensuring that new generations inherited not just culture, but the consciousness of subordination.

Consider how early this conditioning begins. Girls are taught to cross their legs, to lower their voices, to serve their brothers first. In school, they are praised for obedience, not curiosity. In churches, they are told that submission is divine. By adolescence, many have learned that to be accepted, they must shrink. When these girls become mothers, they repeat the same lessons, believing it is love. The cycle continues, unchallenged because it wears the familiar face of tradition.

In my ongoing research on Nigerian womanhood, I found that this internalised patriarchy is often maintained most fiercely by those who have suffered under it. A woman who endured silence in her marriage may advise her daughter to do the same. A female employer may hesitate to promote another woman, fearing it will disrupt male expectations. Even among educated women, patriarchal loyalty manifests subtly, in self-doubt, in guilt for ambition, in the reflex to apologise for success. These are not just personal flaws; they are the social symptoms of colonial conditioning.

The tragedy of this pattern is not only that women participate in their own containment, but that they do so believing they are upholding morality, modesty, or “our culture.” Many of the proverbs that shape womanhood in Nigeria, “A woman’s glory is in her husband”, “A quiet woman builds her home”, were once tools of survival in an oppressive order. Today, they are still repeated as wisdom, long after the conditions that produced them have changed.

But there is hope in awareness. Recognising social conditioning is the first step toward feminist reconditioning, a process of deliberate unlearning. This does not mean rejecting all aspects of culture; rather, it means reclaiming those indigenous values that predate colonial distortion. In Yoruba society, womanhood was once associated with strength, intellect, and spiritual authority. Women served as chiefs, traders, priestesses, and advisers. The goal, therefore, is not to erase culture but to recover its egalitarian essence; Yoruba indigenous complementarity.

Feminist reconditioning begins in small, conscious acts. It is the mother who teaches her daughter that her voice is not rebellion but expression. It is the teacher who encourages girls to lead, to question, to imagine. It is the woman who stops apologising for wanting more. And it is the community that learns to value both care and autonomy as shared human responsibilities, not gendered duties.

If patriarchy survives through repetition, then liberation must also be rehearsed, every day, in every home, by every woman who chooses to see differently. We must stop mistaking endurance for strength and silence for peace. We must stop guarding the gates of our own exclusion.

It is time to understand that the fight against patriarchy is not only external. It begins in the mind, in the private scripts we inherited and continue to perform. As women, we cannot dismantle a system we unconsciously protect. The power to unlearn is the power to begin again, to teach our daughters that womanhood is not obedience, but agency; not sacrifice, but choice.

When women stop guarding the gates, the walls will fall.

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Tolulope Victoria Adebileje is a researcher and educator whose work explores colonial social conditioning, internalised patriarchy, and feminist reconditioning in Nigerian womanhood.

AMVCA 2025: Organizers unveil nominees

The organisers of the Africa Magic Viewers’ Choice Awards (AMVCA) have unveiled nominees of the 2025 edition of the awards. The AMVCA is one of the most prestigious film and television awards in Africa, recognizing outstanding achievements in the industry. Organized by MultiChoice and hosted by Africa Magic, the AMVCA was first held in 2013 and has since become a significant event in African entertainment.

The awards celebrate excellence in acting, directing, scriptwriting, cinematography, and various technical categories. One of the unique aspects of the AMVCA is that it includes viewer-voted categories, allowing fans to support their favorite actors, movies, and TV shows.

Over the years, the AMVCA has served as a platform to spotlight African talent, launching careers and bringing more global recognition to Nollywood and other African film industries. The event, usually held in Lagos, Nigeria, is also known for its glamorous red carpet moments, where celebrities showcase stunning fashion.

Past winners include industry icons such as Richard Mofe-Damijo, Genevieve Nnaji, Osas Ighodaro, Funke Akindele, Ramsey Nouah, and Kunle Afolayan, among others. The awards have evolved to introduce new categories, including social impact and digital content creation.

The AMVCA remains a crucial event for African cinema, driving growth, innovation, and international visibility for African filmmakers.

Nominees include

Best Digital Content Creator

The category for Best Digital Content Creator highlights some of Africa’s most influential digital storytellers, including:

  • Iyo Prosper Adokiye
  • Taaooma
  • Elozonam Ogbolu, Hoviare Freedom, Chiamaka Uzokwe
  • Jide Pounds Ibitoye
  • Ariyiikedimples, Brainjotter

Best MultiChoice Talent Factory

This category celebrates emerging filmmakers from the MultiChoice Talent Factory program, with nominations including:

  • Gone
  • Everything Light Touches
  • The Immersive Alarm
  • Deadbeat
  • Nwananga
  • Rivals in Time

Best Scripted M-Net Original

Recognizing outstanding scripted series, nominees in this category include:

  • Uriri
  • All Mine
  • My Fairytale Wedding
  • Italo
  • The Caller
  • Kam U Stay

Best Indigenous Language (West Africa)

  • Seven Doors
  • Lisabi: The Uprising
  • Kaka
  • Anikulapo: The Rise of the Spectre
  • Mai Martaba

Best Indigenous Language (East Africa)

  • The Caller
  • Empty Grave
  • Makosa ni Yangu
  • Sabotage
  • Wa Milele (Forever?)

Best Indigenous Language (South Africa)

  • Walvis Tale
  • The Vow
  • Mwizukanji
  • Man of Gold
  • Lukas

 

Best Supporting Actress

  • Meg Otanwa (Inside Life)
  • Tina Mba (Suspicion)
  • Ireti Doyle (All’s Fair in Love)
  • Ini Dima-Okojie (Skeleton Coast)
  • Mercy Aigbe (Farmer’s Bride)
  • Omoni Oboli (Wives on Strike 3)
  • Darasimi Nadi (Aburo)

Best Supporting Actor

  • Gabriel Afolayan (Inside Life)
  • Adedayo Adebowale (Lisabi)
  • Aliu Gafar (Seven Doors)
  • Femi Jacobs (Freedom Way)
  • RMD (Christmas in Lagos)
  • Uzor Arukwe (Suspicion)
  • Mike Afolarin (House of Gaa)
  • Efa Iwara (Princess on a Hill)

Best Lead Actress

  • Chioma Chukwuka (Seven Doors)
  • Gbubemi Ejeye (Farmer’s Bride)
  • Uzoamaka Onuoha (Agemo)
  • Uche Montana (Thin Line)
  • Uzoamaka Aniunoh (Phoenix Fury)
  • Hilda Dokubo (Wives on Strike 3)
  • Bimbo Ademoye (Anikulapo: Rise of the Spectre)

Best Lead Actor

  • Gideon Okeke (Tokunbo)
  • Bucci Franklin (The Weekend)
  • Femi Branch (House of Gaa)
  • Thapelo Makoena (Skeleton Coast)
  • Bimbo Manuel (Princess on a Hill)
  • Stan Nze (Suspicion)
  • Femi Adebayo (Seven Doors)
  • Adedimeji Lateef (Lisabi: The Uprising)

Best Movie

  • Lisabi: The Uprising
  • Skeleton Coast
  • Suspicion
  • Inkabi
  • House of Ga’a
  • Freedom Way
  • Christmas in Lagos
  • Farmer’s Bride

Best Director

  • Robert O. Peters (Skeleton Coast)
  • Norman Maake (Inkabi)
  • Bolanle Austen-Peters (House of Ga’a)
  • Awam Amkpa (The Man Died)
  • Daniel Emeka Oriahi (The Weekend)
  • Femi Adebayo, Adebayo Tijani, Tope Adebayo (Seven Doors)

Best Writing in a Movie

  • The Weekend
  • Skeleton Coast
  • Freedom Way
  • Phoenix Fury
  • A Ghetto Love Story
  • House of Ga’a
  • Christmas in Lagos

Best Documentary

  • Walvis Tale
  • Dundun
  • O.Y.O (On Your Own)
  • Women of Salt: The Resilience of Ebonyi’s Women
  • I Will Remember You

Best Editing

Princess on a Hill (Laughter Ephraim, Peter Ugbede)

Inkabi (Tongai Furusa)

Christmas in Lagos (Martini Akande)

Soft Love (Holmes Awa, Paballo Modingoane)

Lisabi: The Uprising (Anthill Studios)

World Poetry Day Café: 10 Poets from Nigeria and Cuba to Honor Prof. Wole Soyinka

In celebration of World Poetry Day 2025, ten distinguished poets from Nigeria and Cuba will take center stage to pay tribute to Nobel laureate Prof. Wole Soyinka at the 6th Providus Bank Poetry Café. Themed “Sand Dune and Ocean Bed: The Template of Dispersal,” the event is set to take place at the Terra Kulture Arena, Victoria Island, Lagos, on Friday, March 21.
This special edition, titled “An Evening with Wole Soyinka,” will not only honor the literary icon but also mark the beginning of the United Nations Second Decade for People of African Descent (2025–2034). It aligns with the ongoing UN Anniversary for Enslaved Peoples and Reparatory Justice, reinforcing the global conversation on cultural heritage and historical continuity.
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Curated by Jahman Anikulapo for the Culture Advocates Caucus (CAC) and supported by Providus Bank, the series was initiated in 2020 under the encouragement of Prof. Soyinka, a former UNESCO Goodwill Ambassador. According to Anikulapo, “We could not think of a more iconic and preeminently qualified figure than Prof. Soyinka to serve as the grand patron and guiding spirit of this initiative, inspiring the many young poets who have graced our stage over the years.”
A Fusion of Nigerian and Cuban Poetic Voices
The evening will feature five Nigerian poets alongside five Cuban poets, showcasing a rich tapestry of poetic expression. The selected Nigerian poets are:
•Kafayat Quadri (Kaffe of Life)
•Evelyn Osagie (Evelyn D’Poet)
•Tijani Usman (Tijaywebster)
•Yusuf Àlàbí Balógun (Àrẹ̀mọ Gemini)
•Chinelo Nwora
Representing Cuba as the “Special Guest-Nation” are:
•Alex Pausides
•Edelmis Anoceto Vega
•Israel Domínguez
•Emiliano Sardinas
•Sinecio Verdecia Díaz (based in Canada)
The evening will also feature a 15-piece Cuban musical orchestra and a performance by multi-instrumentalist Wole Alade.
“In curating this lineup, we have carefully selected Nigerian poets with diverse presentation styles to offer our Cuban guests a broad and immersive experience of Nigerian poetry and performance culture,” Anikulapo stated.
Cultural Exchange Beyond Lagos
Beyond the main event in Lagos, the Cuban delegation—comprising a 15-member troupe led by the Republic of Cuba’s Minister of Culture, Hon. Alpidio Alonso Grau—will embark on a cultural tour in Abeokuta, Ogun State, on March 23. This visit, guided by Prof. Soyinka’s vision for cultural immersion, will include a special performance, as well as tours of significant heritage sites such as Olumo Rock and the Adire market in Itoku.
The 6th Providus Bank Poetry Café promises to be a landmark celebration of poetry, cultural exchange, and shared history, bringing together eminent literary figures, arts patrons, industry leaders, and poetry enthusiasts.

Opinion: The Crucible of Conflict: Tracing Natasha Akpoti-Uduaghan’s Repeated Pattern of Accusation and Litigation | By: Gilbert Olanrewaju

Few figures have divided opinions and families across Nigeria as Senator Natasha Akpoti-Uduaghan [Kogi Central, PDP] has in the past two weeks. Fewer have navigated controversy and legal brinkmanship with the same unyielding intensity. Her career, marked by a relentless pursuit of influence and a penchant for turning personal grievances into public legal battles, reads like an intriguing but dramatic saga of passion and retribution.

While the media has been inundated with stories about the recent seat arrangement and her unwillingness to follow Senate rules, her latest response is a legal action against the leader of the chambers. In a claim filed by her legal counsel, Victor Giwa, who has emerged as a key figure in her battles, she is demanding N100 billion in general damages for defamation and N300 million in litigation costs.

Therefore, as one delves into her storied past, a clear pattern emerges: For Natasha, leveraging legal threats and high-stakes litigation is not merely a reaction but her stock in trade. Her career underscores a reality where the boundaries between private grievances and public service are frequently blurred.

From the outset, Natasha’s political and personal journey has been anything but conventional. However, her entanglement with her current husband, Chief Emmanuel Oritsejolomi Uduaghan, a man with longstanding political ties and significant business interests, would propel her into an arena of bitter personal disputes and public legal confrontations.

Before her ascent to the Senate, a startling revelation emerged. A document filed by Victor Giwa of Indemnity Partners and dated November 19, 2020, detailed a series of grave allegations, including “breach of promise of marriage, poisoning, foeticide,” and demanded a staggering N10 billion in damages. The letter painted a picture of a woman wronged, claiming she had been instrumental in Chief Uduaghan’s business successes, only to be betrayed.

This legal document, which demanded a staggering N10 billion in damages, was only set aside upon Chief Uduaghan’s eventual acquiescence to marrying her.

This pattern reveals much about her modus operandi. In her view, every slight—small or personal—is a battleground. Her narrative suggests that if one does not comply with her terms, social media becomes the primary venue for settling scores while the courts are the secondary stop. While legally contentious, this stance has become emblematic of her approach to personal and political adversaries.

Central to this saga is the aggressive legal strategy spearheaded by Natasha’s legal teams. In the matter involving her estranged husband, while the document in question was disseminated by Indemnity Partners—with a letter signed by Senior Advocate Chief B. C. Igwilo – it is her legal counsel, Victor Giwa, who has emerged as a key figure in her subsequent battles.

In an explosive twist to the narrative, sources reported that over the past weekend, Natasha threatened the Senate President with immediate legal action if she were summoned before an ethics committee. This threat, articulated as part of her broader strategy, underscores her readiness to deploy social media and court maneuverings as a strategic tool to achieve her goals.

For Natasha, repeatedly invoking legal recourse—whether for alleged breaches of promise in marriage or defamation in the political arena—signals a calculated strategy. Her willingness to escalate personal disputes into highly publicised legal battles is not an aberration but rather a reflection of a broader pattern of behaviour. This behaviour is deeply rooted in the dynamics of power and control, where the courtroom becomes a modern-day arena for settling personal scores and redefining public image.

 Amid the turbulence of personal legal battles and aggressive courtroom manoeuvres, a broader question looms: What is the impact of such high-profile disputes on the sanctity and function of legislative institutions? The Senate, as a crucible of democratic deliberation and policymaking, must be managed with a level of decorum and order that allows for respectful debate and collective progress. When political actors resort to legal intimidation and public threats—such as Natasha’s weekend ultimatum to the Senate President—it undermines the institutional integrity of the legislature.

 The importance of decorum in the Senate cannot be overstated. A legislative body functions not merely as a forum for exchanging ideas but as a symbol of national governance, where order, respect, and adherence to established protocols are paramount. This is the only way scores of representatives of different tribes, regions and faiths with varying interests and opinions can achieve consensus through structured debate and dialogue.

 The infusion of personal vendettas and aggressive legal posturing into this space risks eroding public trust and compromising the effectiveness of the Senate. Therefore, members of the Senate—regardless of their personal grievances or political ambitions—must exercise restraint and uphold the principles of mutual respect and institutional accountability.

 A Senate mired in personal vendettas and legal skirmishes risks compromising its mandate to serve the public interest. The principles of decorum and order are not merely abstract ideals; they are essential to ensuring that legislative debates remain focused on policy and progress rather than devolving into platforms for personal retribution. In this light, the insistence on maintaining a respectful, orderly, and neutral legislative environment is not only a matter of institutional protocol but a fundamental requirement for the health of the nation’s democratic processes.

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Gilbert Olanrewaju writes from Akure, Ondo State

 

Celebrating Excellence: Senator Asuquo Ekpenyong Honored with Prestigious Thisday Leadership Award.

Senator Asuquo Ekpenyong, the senator representing Cross River south senatorial district, a trailblazer in public service and a dedicated advocate for transformative leadership, was recognized with the Thisday Award for Young Global Leader on January 27, 2025, at a prestigious ceremony held at Eko Hotel, Lagos. This honor is a well-deserved testament to his unwavering commitment to excellence, his impactful contributions to his constituency, and his ability to inspire change on a global scale.

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Renowned for his visionary leadership and steadfast dedication to public service, Senator Ekpenyong has consistently demonstrated a passion for driving meaningful development. His ability to connect with the needs of his people while championing innovative solutions has made him a standout leader among his peers.

Expressing gratitude for the award, Senator Ekpenyong dedicated the honor to the individuals and communities that have shaped his journey. “This recognition is not just mine but belongs to the pillars who have supported and inspired me throughout my career,” he remarked.

He extended heartfelt appreciation to his constituents, whose trust and faith drive his commitment to impactful governance. He also acknowledged his parents, whose sacrifices and values have been his guiding light, and his wife, Netanela, for her unwavering love and support.

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This recognition is not only a personal achievement for The Standard, as fondly called, but also a significant milestone for his state and constituency. It reflects the progressive strides being made in leadership and governance within Cross River State and serves as an acknowledgment of the impactful initiatives Senator Ekpenyong has spearheaded for the betterment of his people.

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For his constituency, this award is a validation of their trust in his vision and dedication. It highlights the value of community-driven leadership and reinforces the commitment to fostering growth, empowering youth, and improving the lives of residents through innovative policies and programs.

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The Thisday Award for Young Global Leader places the state and its people on the national and global stage, showcasing their role in shaping future-forward leadership and sustainable development in Nigeria.

Read more about Senator Asuquo on his official website

2face Idibia announces separation from wife.

Renowned musician, 2face Idibia, popularly called 2baba has announced his separation from his wife, Annie Macaulay-Idibia. The 49 year-old also hinted that divorce proceedings are underway.

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 Theirs was a whirlwind romance until they tied the knot at the 5-star Jumeirah Beach Hotel, a five star resort centre in Dubai in March 2013.

Annie, 40,  first met 2Face Idibia at Even Ezra Music Studio when she was just 15 but they began dating in 2002, when she was 18.

“I met him when they (with band mates BlackFace and Faze) were trying to be Plantashun Boiz, I was going into Even Ezra studio to see Femi Lasode, and this boy was coming out. The gate hit my leg, and when I looked up at the person that did that, it was eye to eye … I think there was some electricity that second! I mean I was young but I still remember what he wore – black t-shirt, blue jeans with slippers and he had curls in his hair. I was 15 at the time. I just knew I wanted to see him again and he came back in; apparently, he was waiting for BlackFace who was taking too long. So we started talking.” Annie recalled.

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A week ago, fans raised concerns over her mental health after a video of her twitching appeared on the Young Rich and Famous show. Many labelled her a drug addict and advised her to seek urgent help.

The African Queen singer was once asked why he chose Annie, “…Annie is from an average background like myself, we both started from nothing. She stuck by me through it all. When there was no car she hopped on bikes, took the bus and trekked with me, when there was no money or house or hit songs or or millions of albums sold or big awards and accolades, when I used to repeat just 3 sets of clothes, she would always hold my head, look into my eyes and tell me things will be fine one day. When I wasn’t handsome, she would call me her Prince Charming, when I wasn’t celebrated, she called me her KING and said she is my number one fan and to this day she still is. Even when I made it big as a musician and started misbehaving and controversies almost destroyed my career, she would go down on her knees and pray to God to show me the way and give me victory over my enemies. Now if I was still that poor boy struggling to make it like every other young chap on the streets of Lagos, do you think a Doctor, a Lawyer and a multi-millionaire business woman will want to look at me twice or even have my kids? NO. So to answer your question, I didn’t chose who had more to offer me, I chose Annie because she offered me her all when we had very little”

The estranged pair have two children together; Isabella 16 and Olivia, 10. 2 face has 5 children from other relationships.

Opinion: Tinubu’s Titanic Wahala

‘Titanic’ can mean something that is very big, gigantic or enormous and it was also the name of a ship that sank on its maiden voyage.

When the Titanic sank in 1912 it sank due to a number of avoidable factors: a ship deemed unsinkable that wasn’t fitted with watertight compartments, a ‘unprofessional’ seasoned captain who was apparently bullied into going at full speed through known ice-berg strewn waters, lack of common binoculars for the deck watch and the unavailability of enough life boats for all the passengers.

This all put together, as they say, was a recipe for disaster. Red flags were ignored.

Translating this to President Tinubu’s modern-day Nigeria, the avoidable factors that can sink the country are way too obvious.

Nigerians have long enjoyed the benefits of fuel subsidy. Costly as it is to maintain it’s enabled the economy to keep running by keeping the cost of things low. It’s removal, as can be seen, has created a domino effect, as the experts predicted, resulting in the prices of even the basic commodities skyrocketing as everyone passes on the additional costs. With inflation currently at 32.7% and still rising, things are only going to keep on getting more and more expensive. As a result, the new minimum wage of N70,000 will have less purchasing power than the previous 2021 minimum wage of N30,000. If fuel subsidy removal was meant to boost the economy it has done the opposite and will stagnate any efforts to kickstart it.

The government’s inability to control corruption or severely punish corrupt officials which is robbing the country’s coffers of billions and billions of naira every year is a stumbling block for development. If a corrupt government official who built 750 houses with stolen funds or an ex-governor accused of misappropriating 80 Billion Naira are allowed to walk around freely, supposedly on bail, without fear of eventual conviction, it questions the message the government is sending out to future looters: if the culprits were in Russia or China the outcome will be totally different.

Even though an austerity economic policy may seem harsh like it was designed to rob Peter to pay Paul, it should be short, sharp hardship with green pastures in the foreseeable future – not ever! A good start will be to cut down on the number of foreign loans being obtained every year as their repayment can take a huge chunk out of the country’s annual income.

The new tax laws are long overdue and it should include that VAT earned in a state stays in that state: so, if your state doesn’t generate any VAT (- such as from the sale of alcohol products) you don’t get to share in what other states have collected.

Insecurity in the country is not something that started yesterday. Previous governments have blood on their hands for not nipping these insurrections in the bud before they grew to become monstrosities. You don’t pat yourself on the back, like the Nigerian Army likes to do believing you have the threat ‘under control’ – you eliminate the threat completely using what ever means necessary. Unless the order [ given by ‘Somebody’] is not to destroy them completely and to quote the late Sani Abacha,“…any insurgency that lasts more than 24 hours, a government official has a hand in it..”, no wonder Boko Haram continues to flourish and bandits like Turji Bello continue to taut the government. When the armed robber Lawrence Anini did something similar in 1986 he was fished out within months, tried and executed.

As I’ve written before, the Nigerian Police Force is long past its sell by date and considering the ever growing population of Nigeria with its associated acts of anti-social behaviour, it’s time to seriously consider devolving the NPF into state-run outfits. The growing popularity of state-run security outfits, such as Amotekun, proves this is feasible and effective.

Considering the fact the country is going through severe economic hardship the President, himself, should curb frivolous spending where possible: no more new Presidential yachts or planes ( – that includes the new one for the VP), a cap on ridiculous-no-real-job SA and SSA appointments and most important of all a cap on ALL politicians salaries and perks ( – which is to say if politicians are patriotic enough they’ll agree to a pay cut, forgo some of their benefits and pay for their own jaunts abroad). Implementing the Steve Oronsaye Report which recommends merging and closing of ministries etc that have been passed over by every President since President Goodluck commissioned it in 2011 will cut government operating costs even further. This should not just be at Presidential level but extended to all the states: this will not just streamline the bloated and largely inefficient civil service but will also weed out ghost workers and white elephant projects.

The ‘japa’ movement which the government is trying to discourage should be allowed to continue. It’s morally wrong for a government that can’t provide suitable employment for its citizens to try and prevent them from seeking opportunities abroad : ‘japa’ is not just limited to Nigerians, it’s a worldwide phenomenon. People, British, American ,Filipinos, are migrating worldwide to where ever there are opportunities for them to prosper. That’s the way the world works now: nobody is going to stay in a ‘sh*t-hole’ country if there are no opportunities for them to grow. Scr3w patriotism! It’s every man for himself! So, if a country can’t provide adequate employment opportunities people will pack their bags and ‘japa’! And if you restrict them from leaving the country what are they going to do? Get up to mischief – 419, cultism, kidnapping!

These same people send money back to their home countries all the time: Nigerians in diaspora in 2023 alone sent home more than $19.5 Billion Dollars. This is a huge injection of foreign currency for a country that desperately needs it.

So, just like the Titanic, the warning signs are there and the inevitable that will happen should they be ignored. The question is, which way is President Tinubu going to go. This is what I call the ‘Titanic Wahala’, ignore the obvious and the proverbial will hit the fan, sooner or later.

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You can follow Tony Ogunlowo on Twitter: @Archangel641 or visit http://www.archangel641.blogspot.co.uk