Great Ife And The Failure Of The Gown | By: Reuben Abati
Sugabelly, rape and Audu’s sons | By: Reuben Abati
You probably don’t know Sugabelly. I don’t know her either. But it is the twitter handle of a Nigerian lady: @sugabelly, who in the wake of the death of former Governor Abubakar Audu of Kogi State felt the urge to go public with her story. My foregrounding her/story as opposed to his/story is further affirmation of an earlier submission that Audu’s death is “inconclusive”.
As the rest of Nigeria mourned the death of Abubakar Audu and pondered the implications of an inconclusive electoral process, Sugabelly showed up on social media and started celebrating his death. Her message was that the death of the man was good riddance to bad rubbish. “I feel so amazing”, she wrote. “Like God actually answered my prayers… That’s usually how it is.
Powerful people rarely remember the people whose lives they destroy.” She alleged that Audu’s sons once gang-raped her-seven of them, when she was an impressionable 17-year old and that Governor Audu used his position as a big man to rubbish her, slammed her with a $2 million libel suit, denied her from getting justice, with his lawyers insisting that “14 years” is the age of consent under the Penal Code in the FCT, and so there is no case.
For eight years, her life, she says, has been a nightmare including contemplation’s of suicide and spells of manic depression. Her frustration is well articulated in her twitter handle and an extended commentary titled “Surviving Mustapha Audu and His Rape Brigade”.
I have heard people proclaim loudly that a traditional proverb says: “the witch cried last night and the child died in the morning” and they have been wondering whether there was some kind of extra-terrestrial, meta-physical animus which led to Audu’s sudden death.
Howbeit, Sugabelly’s allegation is that of unlawful carnal knowledge. Her protestation made the rounds for a few days largely uncelebrated, but it caught fire last Friday. For days, rape was the subject of discussion on Nigerian twitter. Opinion was divided with some calling Sugabelly, “a whore” and a badly brought up child but soon, the weight tilted heavily in her favour as the reactions panned out to focus on the menace of sexual assault against women and the devastating effect on persons, families, the victims and society.
One of the sons of Abubakar Audu was soon fingered as the leader of the rape brigade -by both Sugabelly and her staunchest supporter, @Echecrates. What happened subsequently is better experienced. A lady tweeting as Zahra – @oakleafbycg – jumped into the fray to defend him – hers was quite a spirited fight that lasted for hours, defending the integrity of her husband. She probably was defending herself too.
Her father-in-law was so close to being governor and he lost it, only for some twitter activists, and a sugabelly (what a name! by the way) to start suggesting that her husband has a rape case to answer. She is a good woman, isn’t she? I monitored the conversations, and it is difficult to conclude that anyone was successfully convicted for there were persons who raised questions about sugabelly’s identity, her motives and whether she is not just a spoiler, playing a sponsored political game.
The emergent consensus, however, focused on the menace of rape in our society. Some male commentators seeking to genderize the discussion also pointed out that they were once raped, too, but the pervasive impression was that young girls are more often the victims. I noted that there was very little talk about marital rape, which is ordinarily a major issue in the West, but which will be considered absurd by Africans.
There were some suggestions about rapists being put to death in line with the still untested Violence Against Persons Act, but as is the case with twitter, 140-word interventions do not necessarily an honest thinker or an intellectual make. It creates an illusion though, the illusion that someone whose reasoning is below 140 words is a mega-man of knowledge and insights.
Nonetheless, the matter between sugabelly and the Audu sons deserves a little more probing. I am tempted to commend sugabelly for throwing up the subject, but the real problem with rape in our society lies in the inadequacy of both legal and social responses. Both the law and the society stigmatise rape, and wrong-foot the victim. The relevant sections of the law in Nigeria today more or less ridicule the victim, and usually, the victim is female.
The biggest challenge for decades has been this manner in which the law humiliates the female victim: the procedure requires examination by a medical doctor and in open court, proving actual penetration up to the labia majora. That is a tough call for victims and families, and so, many cases end up unreported. Besides, the criminal justice system peopled by phallocentric officials is wont to dismiss any woman reporting rape: in Nigeria, it would be ridiculous indeed for a married woman or a girlfriend to report being raped by her husband or fiancée. From the policeman at the station to the presiding judge, if it gets to that stage, the case may die a natural death in the vortex of misogyny.
Culture is a major barrier: the search for virgins at the bridal chamber by African families is a long dead custom, but few families can stand the stigma of taking as wife, a woman who has been raped, and whose indignity has been broadcast.
Female victims are, therefore, reluctant to seek legal redress, first because of social stigma, and that is why there are very few convictions despite the regular incidence of rape. Any woman that is labeled a rape victim stands the risk of not getting a husband: families of prospective suitors will latch on to that evidence as if it is a mark of leprosy, and urge their sons to steer clear, creating for the woman’s family an undeserved dilemma. Despite the wave of modernity in our land, tradition remains resilient and marriage, going to a man’s house, is still, quite sadly, considered a woman’s ultimate achievement.
This is probably why, in due course, the accused also showed up in the conversation releasing e-mail exchanges between him and Sugabelly, and going as far as revealing her true identity and painting her as a “whore,” a liar and an opportunist. Parents, keep an eye on your sons and daughters! The family, the most important social unit, has a role to play.
Both male and female children should be brought up to respect ethical values and the rights of other human beings to dignity. The inferiorisation of the female gender often begins in the home, and there are too many cultural paradigms sustaining an objectionable model of parenting, which must change. Too many parents, too busy trying to make survival possible, have abdicated responsibility and it is society that is hurt as a result.
The solution also lies in legal reform: the laws on rape must become more progressive and enlightened. The statutes have been in urgent need of review for long; they must provide the necessary deterrence and not ridicule the victim; even the Violence Against Persons Act (2015) does not fully correct the mischief in the Criminal and Penal Codes.
There is also a trend now that must be addressed; namely, the objectification of women for profit or other purposes. The most recent illustration I find is the battle being waged on twitter and instagram by @blossomnnodim, who has since changed to @blossomozurumba (good luck to the man who is responsible for this blossoming), as she takes on a TBWA power charger advert, which instead of promoting the subject focuses on a woman’s biological gifts.
Blossom objects to this but she has since been accused of witch-hunting and idleness. Her critics miss the point. The objectification of women in popular culture erodes the dignity of women. But the worse of it all is that women themselves promote this negative effect. Nigeria has been lucky in locking into global trends on all fronts, but in a global village, we have not been successful in retaining local standards as a bulwark against negative, imperial cultural influences.
Social media, for example, is dominated by images of sexual libertinism; even our young ladies who are now role models on the basis of concrete accomplishments help to foster this image. I am making this point delicately; my concern is that we have too many Nigerian female role models who are busy trying to be like Amber Rose, Nicki Minaj, Rihanna, Kim Kardashian, Kylie Jenner, Rita Ora, Miles Cyrus, Blac Chyna – if you know what I mean, all those foreign cultural icons whose lifestyles commodify women.
Our own equivalents are all over social media: pretty girls who are perpetually showing cleavages, wearing body tights that accentuate curves, some even boast that they won’t wear bras and pants and that illicit sex is cool: that is how this self-denigration has grown all the way down, creating a sexual tension even among the uneducated wannabes. I am not victimizing the victim, knowing full well that there is that human rights border of freedom of choice and expression; still, new cultural realities should command certain limits.
Sugabelly may not get the sugar of contentment that she seeks, but let her be consoled that she has ignited a debate that may shed more light on the dilemma of rape, and/or sex with a minor (Penal Code or not), and the sad manner in which our society continues to produce children and adults who behave badly. Let us also hope that sooner or later, the sleeping Abubakar Audu will be allowed to lie, by his sons and the girl they allegedly raped.
It is not Audu that is on trial, it is his sons: sons of big men who go overboard with their life of privilege, and of course, Sugabelly- the overtly impressionable young girl- who are all still alive to be called to account, if not in regular court, but now, in the court of public opinion.
Book Review: A Very Good Bad Guy Is A Very Bad 2face Narrative
fan, you must have received news of the forthcoming “biography” with great
expectations. When the “editor’ now happens to be the astute Adekunle Ayeni,
the excitement must have been palpable. 2face Idibia has long ceased to be
merely a popular artiste; his brand has become the definition of a generation.
His story has been told over and over again, but an official biography of his
life both as an individual and an artiste remained an uncharted course for
neither writers nor the man himself.
a certain Ayeni The Great for nearly two decades now. As a young person in the
second tier city of Ibadan, I would faithfully buy copies of HipHop World
Magazine, Encomium, Bubbles (which I would later have the privilege of editing)
and all newspapers that profiled Nigerian entertainment and entertainers.
Ayeni’s life story has inspired me to no end. He was an outsider kid from the
back waters of Okokomaiko who had huge dreams and with lots of hard work, made
himself into a journalist, publicist, public relations consultant and later
himself, a newspaper publisher. Apart from a couple of other individuals whose
name I would mention later on, no other writer qualified as much as Ayeni to
write a book on the iconic 2face. I- and millions of fans waited with baited
breaths for the most anticipated book since Chimamanda Adichie.
that this might be a disappointing book was when the book cover was realeased
by Adekunle Ayeni’s publishing house The NET. I tweeted on September 14 thus: Looking forward to the 2face book. Only wish
that another photo was used on the cover. Wasn’t that the cover art for The Unstoppable
album?
2010 for 2face’s third album. When I whispered this concern to some friends the
explanation was that since the title of the book, A Very Good Bad Guy was an oxymoron that juxtaposes 2face’s good
and bad sides, the cover art works well for that purpose.
launch was over and done with. It arrived in the post yesterday November 4. As
I ripped open the polythene wrapper, a sinking feeling of disappointment struck
me like a punch. From a production stand point; this book was already a mess.
The very first page when you flip the cover open has this badly reproduced
photograph of 2face, ostensibly taken with a camera phone in one corner of The
NET office. Not only is it out of place on the inner sheet of a book, together
with the tackiness of the lamination and the substandard print quality that
persists from start to finish, the book feels like an Alaba CD jacket: cheap
and unworthy of the artiste on it. Alas, my disappointment was just starting.
2face as sold by the publisher; rather it is a collection of articles about
2face since Ayeni’s own days as a reporter. How dare he now call this a
biography! The prologue proved to be the most interesting part of the whole
book. In it, Ayeni recounts a night in 2007 when he and 2face shared a bed
after an awards show in London. The cheeky double entendre promised much of the
book but soon fell flat as soon as the prologue ended. Even Annie Idibia’s
piece which is neither a dedication nor provides any perspective of her husband
leave much to be desired. It reads like a birthday tribute that was sent to the
editor of this book by BlackBerry Messenger or Whatsapp. How do I know this?
Wrongly placed full stops, unnecessary ellipses and exclamation marks, as well
as a “LOL” tell that much. A 2face book requires an Annie Idibia voice. This
flimsy bit does not provide that.
Adekunle Ayeni has transitioned his journalistic experience into a thriving
public relations practice. Safe to say, he has mastered the dark arts required
of a PR guru and he deploys his craft well in the making of this book. Nowhere
in the book does he directly refer to it as a “biography”. However, press
releases from his organization and reportage of the launch in the media all
describe A Very Good Bad Guy as the
biography of Innocent 2face Idibia. Smart move, Mr Ayeni…
in my time. Carlos Moore wrote a Fela biography, Fela: This Bitch of a Life and it was based on conversations with
Abami Eda. I Would Die 4 U was
written by Toure, an American journalist and pop culture expert. The book
features several interviews about and with pop legend Prince, and provides readers
an assessment of the enigma’s life. Becoming
Beyonce by J. Randy Taraborelli was recently released as an unofficial
biography of the artiste. It delivers as it tells several unheard stories about
Beyonce. A Very Good Bad Guy does no such thing.
previously unknown areas and tell an unforgettable story. It should take
readers away from blog posts, rumours and innuendos and research the
backstories that make the subject tick. It should document the subject’s views,
influences, fears, ambition and every facet of his life. A Very Good Bad Guy comes across as a rushed vanity project rather
than the life story of an individual who the publisher rightly describes as
“Nigeria’s greatest pop artiste of all time”.
The travails of Fela Anikulapo Kuti
happened nearly a decade before I was born. Yet Carlos Moore’s book made me
rage at the injustice meted out to the man and his mother. A Very Good Bad Guy does not even come close. Heartbreakingly, it
is not for lack of talent or wherewithal to do a 2face story properly.
entertainment journalist and one time publicist for 2face puts him at a vantage
position to pen a biography worth his salt. Over the years, the writer has
proven himself to be a master storyteller. Does anyone remember his exclusive
interview with Dbanj immediately after the Mohits breakup? That was a classic
piece of writing.
lack of curiosity: in page xxvi of the prologue Ayeni himself wonders, “What
kind of guy is this Idibia? What sublime irony to find a man, who does all the
bad things, yet does all the good things…? As an observer I was fascinated
and impressed…” So why did Ayeni neglect to ask these questions and answer them
for the fans?
sometimes plagues heroes and geniuses that convinced the editor/publisher that
he could pass off these 396 pages of nothingness as a biography.
A writer has a responsibility to
document times and happenings correctly. He owes it to the reader to either
answer all his questions or allow the reader to deduce answers from his
writing. In 2024, children who were born in the year 2face released his debut
album would be university undergraduates and some of them would study the
defining era of Nigerian music. They would need to understand why it was such a
big deal for 2face to have won the Best African Act at the 2006 MTV EMA’s. They
would need to understand how big a deal it is for a Nigerian to have made the
soundtrack for a Hollywood movie. They would need to find out how a single
artiste swung the door open for a generation of African artistes to reach the
world. They would need an authoritative voice to teach them about the great
2face. A Very Good Bad Guy through Ayeni
Adekunle does not offer that; rather it is a catalogue of past articles, a
gloried scrapbook of The NET Newspaper. Maybe that was why even 2face look less
than enthused at the book launch.
writer to tag along with him for a couple of months to gather enough material
for a proper biography, if Mr. Ayeni is too busy to. Bayo Omisore and Efe
Omorogbe are the other two individuals who have unique perspectives of the
artiste. (Fortunately both men are also excellent writers with commendable
journalism credentials).
Adekunle Ayeni’s book on 2face does a great disservice to the artistry and
accomplishment of the subject. It does greater disservice to the skill and
talent of the two dozen writers whose contributions to The NET Newspaper form
this book. It does the greatest disservice to Mr. Adekunle Ayeni’s two decades
of journalistic excellence and his highly esteemed position as a custodian of
urban Nigerian music. Innocent 2face Idibia requires an official biography.
This book is not it.
finishing his own book, Reflections of a Millennial. He tweets via
@thejidetaiwo.
It's A Girl!
Sunday Oliseh Be Careful | By: Joseph Edgar
We ibibio people are ready to leave Nigeria because of this matter. This is not that ye ye massob struggle where they keep shouting Biafra at night and in the morning go and open their shops in the market to sell. We will go, we will go and join Cameroun so that Vincent will be given his respect.
I swear it’s because he is Ibibio that is why. Can Oliseh try a Yoruba player like that. OPC and the Oshodi boys would be on his scrawny neck or can he try an Igbo player Ohaneze and Massob will show him. It is because he has looked and is seeing house boys and house girls that he thinks Vincent has no support that is why he can open that his ye ye mouth to tell an international world class player to shut up.
I hereby give Oliseh a 24 hour notice to send an unreserved apology to the Ibibio nation otherwise we will unleash our Ekpe masquerade and 1,000 naked Ibibio virgins on him and let’s see if he will survive it. I will personally place a hex on him making sure he doesn’t win any match again until he is disgracefully kicked out of the team and into the River Niger where the hungry fishes will chew out that his mouth. Yeye dey smell.
The herdsmen from hell | By: Femi Fani-Kayode
If there was ever a time to remember the words of Haile Selassie and speak out against evil this is it. With the abduction of the elder statesman and June 12th struggle hero, Chief Olu Falae, from his home by a group of Fulani herdsmen in south western Nigeria it is time for us to seriously consider the expulsion of all Fulani herdsmen from the southern part of our country.
Anyone that doubts this should ask the people of the north central zone what they have been suffering in the hands of these vagabonds and vagrants for the last 50 years. This is especially so in Plateau, Benue, Niger, Kwara, Nassarawa, Taraba and Adamawa states.
Yet there is an even more sinister dimension to this problem than most people care to admit. That dimension is best illustrated by the following question. Can there be any truth in the assertion that the Fulani herdsmen are nothing less than the vanguard and covert armed wing of the Fulani ruling class which has managed to infiltrate the south under the ingenious guise of selling cows?
President Buhari, loyalty is not enough | By: Etcetera
Every new president promises to nominate talented, qualified people to fill into positions in their government. Yet, they all make more than a few appointments that do not satisfy the call for “able, creative, and experienced people,” who will serve as “the most important ingredient in the recipe for good government.” Most of the names I have seen on President Buhari’s ministerial list do not represent the best and brightest Nigeria has to offer.
The President might be having problem with the issue of trust, thereby looking to appoint only those that will stay loyal to him, but we also want him to look beyond loyalty. No matter how loyal appointees are to the President, they also need to know what to do and how to do it once they get the jobs. The ability to manage, design, and effectively carry out new programmes, implement key legislation, and deliver services should be prominent—indeed primary—criteria for choosing potential appointees.
Even where appointees are responsive to presidential agendas, some tend to lack the managerial skills to enact those agendas successfully. Most of the names I see on this list are political lobbyists, presidential campaign workers, and trusted aides to political godfathers. Some may have substantial policy expertise, but almost all are essentially soloists, not team players.
You can say that conventional wisdom demands that the President considers personal loyalty and commitment to his programmes in selecting candidates for positions in his government, but you should also consider that the kind of ministers or political appointees we have had over the years shows that loyalty has never helped any Nigerian President achieve his goals.
10 Reasons Why Nigerian Producers Are Losing Millions
3. You are busy trying to transform yourself into an artiste/singer/rapper when you
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Now that you are fully aware of 10 (ten) different reasons why you’ve not been making the kind of money that you should be making you should also be aware that unless you have or develop the required boldness to insist on your legal rights and organize your business within the required legal framework nothing will change!
Power: The need to stop the continuation of payment of bills after disconnection | By: Nwaorgu Faustinus