Nigerians come for Toke Makinwa following her views on Whatsapp calls.

Toke Makinwa has taken up a top spot in Twitter’s trend list again. She’s trending for her views on Whatsapp calls which was aired on her vlog.
Toke Makinwa reckons Whatsapp calls aren’t appropriate for personal relationships, adding that guys should make proper phone calls. She says Whatsapp calls should only be allowed if the guy is abroad (because of the different time-zones).
And as usual, Nigerians came out in droves to attack her and question her sense of reasoning. There was no holding back.
Check out the video that generated the hues.
 
https://twitter.com/d_problemsolver/status/895186478518677505
Below is our top reactions.
https://twitter.com/Iam_Abdulaxis/status/895188881984933889



https://twitter.com/Rouvafe/status/895193121205743616
https://twitter.com/iamTestedOkay/status/895171890028969985
https://twitter.com/f1rstlayD/status/895196851401609216
https://twitter.com/Burmese_Tyga/status/895187313847930881


https://twitter.com/Burmese_Tyga/status/895186864126259200
https://twitter.com/Beanchesterr/status/895203335095164928

Movie Review: Banana Island Ghost | By: Jerry Chiemeke

Movie Title: BANANA ISLAND GHOST
Genre:  Comedy
Year of Release: 2017
Cast: Chigul, Patrick Diabuah, Bimbo Manuel, Damilola Adegbite, Saheed Balogun, Ali Nuhu, Tina Mba
Director: BB Sasore

Image result for banana island ghost

“Banana Island Ghost” is about a young man named Patrick (Diabuah) who dies, but is scared to step into Heaven because he does not have a soulmate. He is given three days by God (Bimbo Manuel) to find a lady and get her to love him. Patrick has the luxury of being unseen or unheard by anyone except the lady he chooses, and he requests for a lady who lives in Banana Island. He ends up waking next to Ijeoma (Chigul), a plus-size lady who is about to lose her father’s house unless she can raise 18 million naira in three days. She takes to combining her 9-5 with a gig as a mascot and pilfering of gadgets, amidst the looming purchase of the house by a certain Mr. King (Nuhu) and her self-esteem issues.

One lovely thing about the movie is the choice of music put to use. Viewers would have their ears treated to Bez’s “Over You”, the lovely Ruby Gyang’s “Kale Ni”, Ill Bliss’ “Bank Alert”, amongst others. If this movie were to have an O. S. T, I would definitely go on to buy it.

The movie also scores high in mischief value. In Banana Island Ghost, we see Patrick, the male lead, use his ghostly nature to his advantage, from freely changing his wardrobe at The Palms, spiking the drink of Ijeoma’s cheating boyfriend with laxatives, scaring a lady by “scooping her Coldstone mid-air”, and spraying fire extinguisher on the hair of Ijeoma’s mean colleagues. He also assists Ijeoma in giving the impression that her car is A. I – operated at a charity event.

ALSO READ: Isoken Movie Review

However, that’s all there is to this movie. From her acting, it is clear that Chigul is better off with her comedy skits. She has no place in feature films, with her forced and mechanical acting, and her tendency to change accents with every other scene. Her attempts at humour were pretty much 50-50, and this performance is anything but memorable.

Bimbo Manuel may not exactly be a Morgan Freeman, but he pulled off his omniscient character, even indulging in some mischief as he blurred Adegbite’s full nakedness from Patrick’s view. The same cannot be said for Saheed Balogun and Ali Nuhu; both darlings in their respective indigenous movie circles, the two actors did next to nothing here, and were a waste of screen time. It would be laughable to add this movie to their videographies, if you ask me.

Much is made about Nollywood’s improved cinematography, but a number of scenes left much to be desired. The bus scene where Patrick flings a passenger’s phone out of the window as a ghost culminates in the most artificial bus scuffle I have ever seen, and in the scene where Ijeoma sings at a charity event, there is just something plastic about the guests in attendance.

The script falls short too. At the end, Ijeoma has the chance to win 20 million naira by participating in a poker tournament…organised by the very man who wants to buy her father’s house! How cliché can we get? The part involving the policemen is dragged on for too long as well, to the point that the humour wears off and the jokes becomes annoying. The point of self-realization on Ijeoma’s part, and Patrick finally being able to love, is a bit cheesy too.

Banana Island Ghost is a movie that cinema lovers are not advised to go for with high hopes. It has its good points, but it is ultimately another disappointing “boutique” movie. I want a refund of the money for my ticket, and the ticket purchased for my date.

Rating: 5/10


Jerry Chiemeke is a lawyer and freelance writer who lives in Lagos. An amateur photographer and sports enthusiast as well, Jerry’s works have appeared on Blanck Digital, Elsieisy, Oshodi.tv, The Kalahari Review and Brittle Paper. He is the author of ‘The Colours In These Leaves’. Get the book Here 

You can follow him on Twitter @J_Chiemeke, and also check out his craft on his blog at pensofchi.com

Omotola Jalade-Ekeinde covers Glam Africa magazine's latest issue.

In celebration of Omotola’s return to the big screen, the legendary superstar is the cover star of the Glam Africa magazine’s latest issue ‘The Career Edition’, for this cover feature, she speaks to the magazine about her three-year hiatus, insight into her time out of the spotlight and why “Alter Ego” – a hard-hitting film already praised by critics – is so important for women and society as a whole. As a human rights activist in her spare time, Omotola plays an attorney seeking justice for young girls and women.
Alter Ego” is Omotola Jalade-Ekeinde’s first movie in three years. Directed by Moses Inwang, the film also stars Wale Ojo, Tina Mba, Bobby Obodo, Kunle Remi, Esther Eyibio, Francis Ochie, Elvina Ibru and more. The film will be officially released tomorrow, Friday 21 July worldwide.
Here are five key things to learn about the movie in her interview with Glam Africa:
–     Alter Ego explores PTSD and mental health issues
–     Omotola turned down a number of scripts during her time out of the spotlight, but felt the “Alter Ego” script was “a Godsend”
–     Omotola worked closely with Direct Moses Inwang to make sure everything was perfect
–     Omotola was heavily involved in the script process
–     Shooting the film took over 12 months
 
Omotola also revealed “When I got the script, I wasn’t actually ready to go back to the big screen, but I liked the script and story. A lot of people don’t talk about PTSD and mental illness in Nigeria, and I like to bring attention to such issues … I wanted something meaningful, the kind of project that I would be proud of having helped create.”
According to Glam Africa’s Editor, Fadekemi Sulaiman “We are proud to be celebrating the legendary and inspiring Omotola. This brilliant new film that will no doubt further solidify her as true Nollywood and African royalty”.
 
IMAGE CREDIT
Photo:              Spotlightpi Photos & Imagery (@spotlightpi)
Styling:            Moashy Styling (@moashystyling)
Hair:                Good Hair Ltd (@goodhairltd)
MUA:               Bare to Beauty (@bare2beauty)
 

FG announces plan to stop production of Nigerian films & music videos abroad.

The Minister of Information, Culture and Tourism Lai Mohammed recently disclosed Federal Government’s plans to ban Nigerian artistes from producing films and music videos outside the shores of the country. Speaking during his visit to Copyright Society of Nigeria (COSON) House in Lagos, on Saturday, he said that the federal government “has agreed that henceforth, whatever we consume in Nigeria in terms of music and films, must be made in Nigeria.

 He added that, “We cannot continue to go to South Africa or any other country to produce our films and then send them back to be consumed in Nigeria. The Broadcasting Code and the Advertising Code are very clear on this. For you to classify a product as a Nigerian product, it must have a certain percentage of Nigerian content.

“It is like somebody going to China or Japan to make a product that looks like palm wine and bring it back home to label it Nigerian palm wine. As long as we are not able to implement our own code to ensure local production of Nigerian music and movies, our young talents will not get jobs.
It is Nigerians that pay for the consumption of these products and therefore they must be allowed and encouraged to participate in their production.
I am going to meet with the relevant stakeholders over this, to see that whatever amendment that is needed to be made to our Broadcasting Code in this regard, is done urgently,” he said.

The Minister said efforts are also being made to give the Creative Industry a pioneer status so it can qualify for such incentives as tax holidays and waivers, especially of customs duties on the equipment for film and music production, among others.

 

RMD shares grass to grace story as he turns 56


Veteran Nollywood actor Richard Mofe-Damijo turned 56 today. He however took to his Instagram page to share his grass to grace story; from obscurity to limelight  and from Warri to the silver screen.

“Patoranking’s “Nobody wey nor fit to make am o” is the apt theme song for my life as I celebrate my 56th birthday today.
From Welfare Road Warri, Delta State to the Silver Screen, it’s been an often times surreal experience that anyone who has made it from a similar place of obscurity can relate to.
I believe my journey, like most journeys to greatness usually start from self belief. It’s hard for me to believe I have done 34 years post graduation. There’s been struggles, uncertainties, living abroad seeking greener pastures, returning home, businesses have risen, flourished and some fallen.
There’s been a marriage, a painful death, another blessed marriage, joyous births and more academic pursuits and degrees. There’s been my sojourn in government for 8 years, the birth of my precious grandchildren and the return that was first scary till I felt the overwhelming love and support of my ever growing fan base.
What a journey. What a packed 56 years. I am indeed grateful and thankful. No, I didn’t wake up like this (as RMD), No, I didn’t always know that I would “make it”. It’s been Faith, Hard work, Self development and more work. But above all I have been more graced than my efforts could ever have done which is why in this journey, God is my ride or die and today I return all the glory to Him.”

 

Wizkid and Davido resume back and forth rivalry. See our top reactions.

It’s official! The back and forth rivalry between two of Africa’s Superstars, Ayo ‘Wizkid’ Balogun and David ‘David’ Adeleke which became pronounced few weeks ago will not go away, not anytime soon. They have been hurling subtle and direct insults at each other via their social media platforms, keeping their fans heavily entertained and disappointed. And just when the dust of their last ‘beef’ was settling, Wizkid stepped into the ring today and launched another attack at his colleague.

It all started when the lyrics for Davido’s part in Olamide’s latest single Summer Body surfaced online and alluded to his American status.

Davido and Wikid continue their social media war

That line didn’t go down well with Wizkid who quickly took to his Twitter page to write that having an American passport doesn’t cure his ‘croaky’ voice.

Davido and Wizkid continue their social media war


https://twitter.com/femifactor/status/882577766419496961


https://twitter.com/Berbierklaus/status/882557681919250432


https://twitter.com/AnikeBimbola/status/882563746878681088


https://twitter.com/femifactor/status/882577766419496961
https://twitter.com/TWEETORACLE/status/882547047244627968


https://twitter.com/Berbierklaus/status/882557681919250432


https://twitter.com/femifactor/status/882547789238063106

Movie Review: Isoken | By: Jerry Chiemeke

Movie Title: ISOKEN
Genre: Romantic Comedy
Year of Release: 2017
Cast: Dakore Akande, Joseph Benjamin, Tina Mba, Funke Akindele, Lydia Forson, Patrick Doyle, Marc Rhys, Damilola Adegbite
Director: Jadesola Osiberu
“Isoken” is about a independent, 35-year-old lady (played by Dakore) who is being pressurised by her mother (played by Tina Mba) to get married. She has three friends; Agnes (Funke), Kukua (Lydia) and Joke (Damilola), the latter going through a marriage bedeviled by miscarriages. She gets acquainted with a man named Osaze (Benjamin), and later on, an Englishman named Kevin (Rhys), who works at her office on a contract basis, and keeps bumping into her in awkward situations, from panties forgotten in washing machines to faces smeared with flour. Osaze seems like the perfect guy, but Kevin with his dry British humour, Afrophilia and love for the arts begins to get through to Isoken, and things get complicated.
.
For one, the script and the plot are non-cliche, the plot is well acted out, and the dialogue is pretty top notch. There are no excessively long scenes, Dakore shows us what we have missed for so long, Marc Rhys makes British humour really appealing, Joseph Benjamin sticks to his lines, Funke does not try too hard to be funny, and Tina Mba plays the classic Benin mother to perfection, drama and all, down to the accent. All in all, it makes for a great movie.

There are, however, a few observations. Isoken’s character is artsy and feminist in nature. That appears to be a major theme in the movie, and that is fine, but in about four scenes, the cameras seemed to focus a little too much on Isoken’s pile of books. We get it. she is an independent woman, can we move to other parts of the room? Again, the plot seemed a bit too “obvious” in trying to paint Kevin (Rhys) as a better fit for Isoken. The point is clear to see, but Osaze’s character could have used a little more flesh and personality, the shallowness seemed a tad too deliberate.
At the end of the movie, Kevin feels defeated and intends to leave Nigeria, seeing that his contract is up, but Isoken professes her love, and he agrees to stay. That is as improbable an ending as we can get! Yea yea, Love makes us do things, but ditch England for Nigeria? Oh well. I don’t know. There is also the wedding choreography at the end, similar to that overly hyped you-know-which-movie, but ultimately, the movie is watchable.
Rating: 6.5/10


Jerry Chiemeke is a lawyer and freelance writer who lives in Lagos. An amateur photographer and sports enthusiast as well, Jerry’s works have appeared on Blanck Digital, Elsieisy, Oshodi.tv, The Kalahari Review and Brittle Paper. He is the author of ‘The Colours In These Leaves’. Get the book Here 

You can follow him on Twitter @J_Chiemeke, and also check out his craft on his blog at pensofchi.com

The D'banj vs Don Jazzy debate resurfaces on social media. See our top reactions.

The D’banj Vs Don Jazzy debate has been revisited.
Fans of both artistes are beginning to pull their hair out over who has become more successful since their shocking split in 2012.  It all started with a fan advising the award-winning artiste to seek Don Jazzy’s help; a counsel which the Kokomaster who is presently promoting his new album, Kingdoncome didn’t take lightly. And his reply below sparked up the never-ending debate.

 


While some argued that D’banj is more successful than all the artistes on Mavin record label , others opined that Don Jazzy’s artistes are not on the same pedestal as D’banj and that the latter hasn’t don well for himself since their break up.
 


https://twitter.com/OsasCruz/status/878994060123484160
 
https://twitter.com/KvngBen_/status/878974516768243712


https://twitter.com/ani_nomso/status/878986236316327936


https://twitter.com/ebuka_akara/status/878998703796781056


 
What we know is, they are great artistes and are successful in their rights.
 

Our top reactions to Falz's take on fraud promotion in Nigerian music

Nigerian musician cum actor, Folarin Falana, also called Falz The Bad Guy caused a stir online yesterday after he implored his colleagues in the industry to stop glorifying fraud in their music videos. The comment which was made during an interview with HIPTV has not been taking lightly by music fans and colleagues, some of whom have vented their anger on their social media platforms

The trained lawyer had said, “I feel so strongly about this because an entertainers you are a role model to many especially your fans and youths. Yet in your songs you sing and greet all the yahoo boys and fraudsters. You even mention their names personally. You are destroying our future; please stop it. As an entertainer you must sing songs that portray our culture, save and transform lives. Instead all you do is give the younger ones the impression that it is cool to do crime, its very wrong.”

Check out some of our best reactions to the issue.

https://twitter.com/MistaMaestroDRO/status/878144032177889281

https://twitter.com/BillionTwiTs/status/877961185961721856


https://twitter.com/badgalmaddie_/status/878165941258989568
https://twitter.com/Rouvafe/status/877970158756569088

https://twitter.com/Tunnyking/status/878160740393398272


https://twitter.com/Twickta/status/877896773272043520


https://twitter.com/OsasCruz/status/878306376971407360

 

Dry Movie: Stephanie Linus reacts to copyright infringement allegations

Nigerian actress and filmmaker, Stephanie Linus has reacted to copyright infringement allegations of her ‘DRY’ movie script. Read her response below.

“Character assassination is at once easier and surer than physical assault; and it involves far less risk for the assassin. It leaves him free to commit the same deed over and over again, and may indeed win him the honors of a hero in the country of his victims.” – Alan Barth (1906 – 1979)

On the 19TH of May, 2017, I received a letter from one Rafiu Bello acting on behalf of one Daniella Madudu accusing me of appropriation of an “original literary work” that was allegedly stolen from her by Ms. Joy Ndidi (an allegation that has been roundly refuted), copyright infringement and all manner of impropriety as relates my movie ‘DRY’ and demanding that I credit this Daniella Madudu with ownership of my work, pay the sum of N60,000,000 (SIXTY MILLION NAIRA) and royalties; or face a “campaign of calumny”(which by the way is already afoot) both home and abroad.

Naturally, my initial reaction was to ignore it as something so ludicrous as to be able to find firm footing in the mind of any normal or rightly thinking individual and only routinely passed it onto my lawyers at a later date and thought nothing more of it. They (my lawyers), as a matter of course responded to it.

That these persons have since gone ahead with their premeditated plan to defame me upon allegations they know to be baseless, spurious and glaringly untrue is no longer news as the media is presently awash with the ‘fruit of their labour’ and ordinarily I would not have dignified it with a response but for the sake of posterity and lest my silence be termed an admission of any wrongdoing whatsoever, I will simply proceed to state the facts here, viz:

  • That since my undergraduate days at the University of Calabar, I have been very passionate and deeply concerned about Vesico Vaginal Fistula (VVF), the plight of the girl-child and sexual violence against the female gender.
  • That in 2006 whilst still on crutches as a result of my ghastly automobile accident from the year before, I volunteered with the Mercy Ships Aberdeen West Africa Fistula Centre (as it then was) in Sierra Leone all out of my own personal savings as this was and will always be a cause very dear to my heart.
  • That in 2007/08 I visited the Mariam Abacha Women and Children’s Hospital, Sokoto where I personally made donations to the victims of VVF.
  • That in 2008 I was invited by The United Nations and the Government of Liberia to participate in the anti-rape campaign, Stop Rape and the Liberia Fistula Project.
  • That through my non-governmental organisation, The Extended Hands Foundation and our numerous partners, over 150 women and young ladies across the country have successfully undergone reconstructive surgery and have gone on to live wholesome fulfilling lives free of the stigmatization and the sheer pain and discomfort that comes with VVF.
  • That I registered the script for my movie ‘DRY’ with The United States Copyright Office on November 28TH, 2011.
  • That I registered the script for my movie ‘DRY’ with The Nigerian Copyright Commission on July 27TH, 2012.
  • That my movie ‘DRY’ was shot in the months of August and September, 2012 in Nigeria.
  • That the unofficial trailer for ‘DRY’ was released to lend my voice in support of the ‘Child Not Bride’ campaign.
  • That Ms. Joy Ndidi’s first ever contact with me was in 2013 (DRY was already a finished project at this time) and it was not until June 2013 that she was officially engaged to provide content and ad-placement for my personal blog, ‘The Stephanie Daily’ for all of six (6) months and this she did from the comfort of her home.
  • That the so called “original literary work” of the Daniella Madudu, I was supposed to have appropriated in my movie has never been registered at The Nigerian Copyright Commission even as we speak.

These are easily verifiable facts that any half-hearted attempt at investigative and responsible journalism would have turned up if indeed uncovering the truth for the benefit of the public was the primary motive behind the malicious publication.

It is truly a sorry pass we have come to as society when all it takes to ruin a person’s reputation overnight is the spewing forth of mere accusations just because he or she happens to be in the public eye.

I choose to speak out and address this vice that has suddenly become the norm in our society and the acceptable standard of modern day “journalism”. We used to be better than this as a people; my prayer is that we still are.

DRY is more than just a movie; it is a righteous cause for voiceless women and young girls who have suffered the most debilitating kind of emotional and physical abuse, and anyone who seeks to denigrate this painful sacrifice with a smear campaign, with the intent to make gain or attract cheap publicity, simply lacks wisdom.

I want to take this opportunity to thank all those that have shown tremendous support and spoken up these past few days to end these words the same way it began.

“An error does not become truth by reason of multiplied propagation, nor does the truth become error because nobody sees it. Truth stands, even if there be no public support. It is self-sustained.” Mahatma Gandhi

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